Friday, February 15, 2013
I just received word that a terrific review of our William Matthew Prior exhibition appeared in today's New York Times. You can find it here. It is a remarkable insightful review that recognizes the complexities of calling people "folk artists" in a time well before the term was ever used. Prior's case is one of the most interesting and complex, and the reviewer notes that his work, "were it to appear in an exhibition of paintings by Manet and his followers, would not be out of place."
Wow. I love that. Another reminder to forget the categories and look at the art. Enjoy the review, and please see the exhibition if you can. It will be at the American Folk Art Museum until May 26.
Monday, February 4, 2013
For many years, I have wandered the galleries of major American art museums and chafed at the segregation of American folk art into tiny side galleries apart from the "heavy hitters" of the various museums' permanent collections. Apparently I'm not the only one who has noticed that we are no farther along to accepting folk art into the mainstream than we were years ago. Roberta Smith has a highly reasoned and articulate plea for inclusion in this past Sunday's New York Times, and it is well worth a read. It is titled "Curator, Tear Down These Walls" and you can find it here. Please give it a read and let me know what you think. We could all benefit from more exciting and visually interesting permanent installations that are inclusive and inspiring.
Posted by Paul D'Ambrosio at 12:38 PM